Dr. Robert David Billington, flutist
Performer and Teacher
Flute Lessons
Concert Flute, Baroque Flute, Piccolo
For info regarding Dr. Billington's Doctoral Essay,
"A Description and Application of Robert Aitken's Concept of the Physical Flute,"
please visit http://www.rdbflute.com/RDBDE.html.
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I have openings for dedicated flute students of all ages and abilities
who wish to develop both technically and musically.
I travel to students' locations throughout the South Florida area.
(Miami, Miami Beach, Hollywood, Fort Lauderdale, Boca Raton, Delray, Palm Beach, the Florida Keys).
The lesson fee is $50/hr-$30/half hr for Miami-Dade and Broward Counties, $70/hr for Palm Beach County and the Upper Keys.
Please contact me by e-mail at rdbflute@lgem.com
or by phone at 305-669-1754.
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Click here to go directly to FBA information
My Teaching Background
I have a Doctor of Musical Arts Degree in flute performance from the University of Miami, a Master of Music Degree majoring in flute performance from Western Michigan University, a Bachelor of Arts degree from Northern Michigan University, and have also done post-graduate work at the University of Illinois and at Ball State University.
In addition to my over thirty years of teaching privately, I have taught at the University of Miami, Boise State University, the University of Illinois, the University of Louisville Preparatory and Non-Credit Department, the Louisville Academy of Music, and at Ball State University.
My Teaching Philosophy
When I was in high school, my family traveled 200 miles round-trip so that my brother and I could study with a retired member of the Chicago Symphony Orchestra who had studied one summer, long, long ago with Marcel Moyse in St. Amour, France. Thus was I indoctrinated in the "French School" of flute playing at an early age. "De la Sonorite," "Taffanel-Gaubert Daily Exercises" and the like. My brother and I got a great flute education!
I continued for many years to pass along this tradition of flute teaching until I reached Louisville, KY and started teaching about thirty students a week. It was then that I figured out that getting students to sound good on the long tones of "De la Sonorite" doesn't guarantee that the student can produce a good tone when performing real music!
I then began teaching the physical fundamentals of flute playing in real music situations and found that approach to be much more beneficial than the "French School" method that I had been taught as a youth. Students could sound better faster and could make great strides flutistically and musically in a shorter amount of time.
My biggest philosophical influence on flute performing and teaching occurred in about 1980 when I took a flute lesson from Robert Aitken, the great Canadian flute virtuoso. His manner of teaching was something I had not heard from the dozen or so other gifted flutists with whom I had studied. His teachings, along with my interpretations of his teaching, became the basis for my doctoral essay, "A Description and Application of Robert Aitken's Concept of the Physical Flute."
The basis of Aitken's concept's and my flute teaching and performing is very vocal in nature. Resonance is produced through proper support and breathing and through optimal placement of the components of the vocal tract. The body is set for optimal resonance on the low notes so that the upper partials can be obtained solely through the most minimal of lip movements. In this way, the flutist can produce a full, resonant sound with great facility.
I have had great success with my students utilizing this method of teaching. Beginniners of all ages start sounding good from day one of flute lessons. Many of my students have gone on to study music in college and have received scholarships to do so.. I also have several adult students, beginnering through advanced, who are a constant joy to teach as they continue to develop musically.
Rates And Availability
I teach at the student's location. My fee is a very reasonable $50/hr. There may be a mileage surcharge for longer distances. I have taught students from Boynton Beach to Homestead.
I delight in teaching students who wish to improve quickly while learning - or relearning - the fundamenatls skills of flute playing. Many of my most loyal students are adults who are returning to the flute after years of "life." Ambitious younger students have sought me out when it became apparent that they were at at impass flutistically and musically with their current teachers. And, of course, I enjoy starting beginning students off correctly so that they will not have to continuallly fix fundamental physical mistakes in the future.
Robert D. Billington Performance and Teaching Repertoire
Click here for printable .pdf version.
If your local sheet music store does not have these selections,
they are available from Flute World.
http://www.fluteworld.com.
248-855-0410
Daily Exercises
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Composer
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Title
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Publisher
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| Marquarre |
Daily Exercises |
Schirmer |
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| Moyse, Marcel |
Daily Exercises |
Leduc |
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De la Sonorite |
Leduc |
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| Low Tones, Slurs , Mechanism |
Leduc |
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| Taffanel-Gaubert |
Daily Exercises |
Leduc |
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| Wye |
Complete Daily Exercises |
Novello |
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Etudes
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| Anderson |
24 Etudes, .op 15 (L. Moyse) |
Schirmer |
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24 Etudes, op. 30 (Peck) |
Progress Press |
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| 24 Etudes, op. 33 (Peck) |
Progress Press |
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| 24 Etudes, op. 60 |
Southern |
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| Bach, J. S. |
24 Flute Concert Studies (Mols) |
Southern |
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| Berbiguier |
18 Studies |
Schirmer |
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| Bozza |
14 Studies - Arabesques |
Schirmer |
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| Briccialdi |
6 Grand Studies, op. 31 |
Ricordi |
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| Dick |
The Other Flute, vol. 1 |
Robert Dick Pub. |
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| Hughes |
40 New Studies for Flute |
Ricordi |
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| Jeanjean |
Etudes Modernes |
Leduc |
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| Karg-Elert |
30 Caprices |
Cundy Bettoney |
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| Kohler |
Romantic Etudes |
Southern |
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| Moyse |
Tone Development through Interpretation |
McGuiness and Marx |
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Orchestral Excerpts
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| Bach, J. S. |
The Flute Solos (Baker) |
Schirmer |
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| Baxtresser |
Orchestral Excerpts for Flute |
Theodore Presser |
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| Clarke |
Orchestral Extracts |
Trinity College |
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| Krell |
20th Century Orchestral Studies |
Schirmer |
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| Smith |
Orchestral Studies, vol. I & II |
Schirmer |
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| Wellbaum |
Orchestral Extracts for Piccolo |
Theodore Presser |
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Concerti
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| Doppler |
Fantasie Pastorale Hongroise |
Boosey & Hawkes |
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| Foote |
A Night Piece |
Southern |
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| Griffes |
Poem |
Schirmer |
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| Hanson |
Serenade |
Carl Fischer |
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| Ibert |
Concerto |
Leduc |
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| Kennan |
Night Soliloquy |
Carl Fischer |
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| Martin |
Ballade |
Universal |
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| Mozart |
Andante in C, K. 315 |
Henle |
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Concerto in C, flute and harp, K. 299 |
Henle |
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| Concerto in D, K. 314 |
Henle |
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| Concerto in G, K. 315 |
Henle |
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| Nielsen |
Concerto |
Samfundet |
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| Reinecke |
Concerto |
Breitkopf |
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| Stamitz |
Concerto in G, op. 29 |
International |
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Flute Alone
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| Bach, C. P. E. |
Sonata in a minor |
Ricordi |
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| Bach, J. S. |
Partita in a minor |
Bahrenreiter |
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| Berio |
Sequenza |
ESZ |
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| Boismortier |
Six Suites, op. 35 |
Schott |
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| Bozza |
Image |
Leduc |
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| Dahl |
Variations on a Swedish Folktune |
Theodore Presser |
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| Debussy |
Syrinx |
Henle |
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| Ferroud |
Trois Pieces |
Salabert |
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| Flothuis |
Aubade |
Broekman |
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| Fukushima |
Mei |
ESZ |
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Shun-san |
Muramatsu |
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| Genzmer |
Sonata |
Peters |
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| Hindemith |
Acht Stucke |
Schott |
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| Honegger |
Danse de la Chevre |
Salabert |
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| Hoover |
Kokopeli |
Papagena Press |
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Winter Spirits |
Papagena Press |
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| Hovhaness |
Sonata, op. 118 |
Peters |
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| Ibert |
Piece |
Leduc |
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| Jolivet |
Cinq Incantations |
Boosey and Hawkes |
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| Karg-Elert |
Sonata (Appassionata), op. 140 |
Zimmermann |
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| Koechlin |
Les Chants de Nectaire |
Billaudot |
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| Kuhlau |
3 Fantasias |
Universal |
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| Marais |
Les Folies d'Espagne |
Barenreiter |
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| Moyse, L. |
Hommage a Krishna |
Schirmer |
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Pastorale |
Costallat |
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| Peruzzi |
Tessiture |
ESZ |
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| Reynolds |
Ambages |
Peters |
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| Stamitz |
8 Capricen |
Peters |
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| Telemann |
12 Fantasias |
Barenreiter |
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| Tomasi |
Les Cyclads |
Leduc |
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Sonatina |
Leduc |
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| Varese |
Density 21.5 |
Kerby |
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Flute and Keyboard
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| Bach, C.P.E. |
Sonata in G (Hamburg), Wq. 133 |
Schott |
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| Bach, J.S. |
4 Sonatas, e, E, b, a (Urtext) |
Bahrenreiter |
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3 Sonatas, C, Eb, g (Urtext) |
Bahrenreiter |
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| Boehm |
Var. on Nel Cor Piu, op. 4 |
Billaudot |
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| Bartok (Arma) |
Suite Paysanne Hongroise |
Boosey & Hawkes |
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| Bloch |
Suite Modale |
Broude |
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| Chopin |
Variations on a Theme by Rossini |
PWM |
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| Copland |
Duo |
Boosey & Hawkes |
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| Demersseman |
Sixieme Solo de Concert |
Leduc |
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| Dutilleux |
Sonatine |
Leduc |
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| Fukushima |
Three Pieces from "Chu-u" |
Peters |
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| Genzmer |
Sonata no. 2 |
Schott |
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| Handel |
11 Sonatas (Urtext) |
Bahrenreiter |
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| Haydn |
Sonata in G |
Peters |
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| Hindemith |
Sonata |
Schott |
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| Hue |
Fantasie |
Billaudot |
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| Hummel |
Sonata in D, op. 50 |
Doblinger |
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| Ibert |
Jeux, Sonatine |
Leduc |
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| Karg-Elert |
Suite Pointillistique, op. 135 |
Zimmermann |
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| Kuhlau |
Variations sur le Romance d'Euryanthe |
Bahrenreiter |
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| Martinu |
First Sonata |
AMP |
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| Messiaen |
Le Merle Noir |
Leduc |
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| Milhaud |
Sonatine |
Durand |
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| Muczynski |
Sonata |
Schirmer |
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| Pierne |
Sonata |
Durand |
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| Platti |
Sonata, op. 3, no. 6 |
Schott |
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| Poulenc |
Sonata |
Chester |
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| Prokofiev |
Sonata |
MCA |
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| Reinecke |
Sonata "Undine" |
International |
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| Schubert |
Introduction and Variations, op. 160 |
Bahrenreiter |
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| Schumann |
Three Romances |
International |
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| Telemann |
12 Methodical Sonatas |
Bahrenreiter |
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| Vivaldi |
6 Sonatas, "Il Pastor Fido," op. 13 |
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Bahrenreiter |
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Flute and Keyboard Collections
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| Cavally |
24 Short Concert Pieces |
Southern |
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| Moyse, L. |
Flute Music by French Composers |
Schirmer |
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Flute Music of the Baroque |
Schirmer |
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| The Golden Age of the Flutists, vol. I-II |
Zen-on |
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| Moyse, M. |
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| Solos for Flute |
Fischer |
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| Peck |
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FBA Information
2007-2008 FBA All-State Band Audition Information
Here are links to the audition requirements for flute and piccolo for
Grades 7-8,
Piccolo - Chromatic scale for 2 octaves - Eb-Eb
Rubank Advanced Method (flute) - vol. 1
Exercise: pg. 51 #14, all, dotted quarter=60.
All Piccolo students MUST also audition on Flute. Their Flute audition will
determine membership in the band and the Piccolo double will be determined by the
Piccolo audition. The Piccolo audition will contain the chromatic scale and the
above exercise no other scales and no sight-reading.
plus
MS Flute Scales
Flute - Middle School Flute Chromatic Scale must be three octaves - C-C
Rubank Advanced Method (flute) - vol. 1
Lyrical Exercise: pg. 28 #9, all, top line, no repeats, quarter=70.
Technical Exercise: pg. 56 #29, all, quarter=100.
Grades 9-10,
Piccolo - Chromatic scale for 2 1/2 octaves - Eb-Bb
Exercise: pg. 32 #11, all, top line, quarter=76.
NEW! Rubank Advanced Method Volume II
plus
HS Flute Scales
Flute - NEW! - Rubank Advanced Method Volume II
Lyrical Exercise: pg. 31 #10, all, top line, no repeats, quarter=66.
Technical Exercise: pg. 37 #17, all, top line, no repeats, dotted quarter=100.
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Grades 11-12.
Piccolo - Chromatic scale for 2 1/2 octaves - Eb-Bb
Cavally - Melodious and Progressive Studies, vol. 1
Exercise: pg. 27 #9, meas. 1-34 plus one note.
plus
HS Flute Scales
NEW! Rubank Advanced Method Volume I
Lyrical Exercise: pg. 67, The Swan.
Flute - Cavally - Melodious and Progressive Studies, vol. 1
Technical Exercise: pg. 29 #11, meas. 1-35 plus one note.
Student will determine tempi.
Free Downloads!! The required scales for Middle School and High School flute auditions.
2003 FBA Solo and Ensemble Music List
"The following directions and exceptions accompany the
FBA Solo and Ensembles Music List:
Piccolo: Piccolos may select music from the flute list.
Keep in mind the selection will also be evaluated on its suitability."
Florida Bandmasters Association Home Page
National Flute Association
Florida Flute Association
Larry Krantz Flute Pages
Jennifer Cluff's Flute Pages
Sir James Galway Flute Network
John Billington Music
Contact Dr. Billington
Copyright 2004-2010 by Robert D. Billington
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