Robert David Billington, Flutist - Musical Offerings The Billington and Gonzalez Classical Flute and Guitar Duo The LGEM Trio - A New Sound !! The Nuevo Chorinho!! RDB Doctoral Essay - "A Description and Application of Robert Aitken's Concept of the Physical Flute." Robert David Billington, Flutist, Performer and Teacher - Miami and South Florida Flute Lessons - FBA Info Robert D. Billington and LGEM Live Public Performances LGEM - The Music of Robert David Billington and Friends

Dr. Robert David Billington, flutist

Performer and Teacher

Flute Lessons
Concert Flute, Baroque Flute, Piccolo

For info regarding Dr. Billington's Doctoral Essay,
"A Description and Application of Robert Aitken's Concept of the Physical Flute,"
please visit http://www.rdbflute.com/RDBDE.html.


I have openings for dedicated flute students of all ages and abilities
who wish to develop both technically and musically.

I travel to students' locations throughout the South Florida area.
(Miami, Miami Beach, Hollywood, Fort Lauderdale, Boca Raton, Delray, Palm Beach, the Florida Keys).

The lesson fee is $50/hr-$30/half hr for Miami-Dade and Broward Counties, $70/hr for Palm Beach County and the Upper Keys.

Please contact me by e-mail at rdbflute@lgem.com
or by phone at 305-669-1754.


Click here to go directly to FBA information


My Teaching Background

I have a Doctor of Musical Arts Degree in flute performance from the University of Miami, a Master of Music Degree majoring in flute performance from Western Michigan University, a Bachelor of Arts degree from Northern Michigan University, and have also done post-graduate work at the University of Illinois and at Ball State University.

In addition to my over thirty years of teaching privately, I have taught at the University of Miami, Boise State University, the University of Illinois, the University of Louisville Preparatory and Non-Credit Department, the Louisville Academy of Music, and at Ball State University.

My Teaching Philosophy

When I was in high school, my family traveled 200 miles round-trip so that my brother and I could study with a retired member of the Chicago Symphony Orchestra who had studied one summer, long, long ago with Marcel Moyse in St. Amour, France. Thus was I indoctrinated in the "French School" of flute playing at an early age. "De la Sonorite," "Taffanel-Gaubert Daily Exercises" and the like. My brother and I got a great flute education!

I continued for many years to pass along this tradition of flute teaching until I reached Louisville, KY and started teaching about thirty students a week. It was then that I figured out that getting students to sound good on the long tones of "De la Sonorite" doesn't guarantee that the student can produce a good tone when performing real music!

I then began teaching the physical fundamentals of flute playing in real music situations and found that approach to be much more beneficial than the "French School" method that I had been taught as a youth. Students could sound better faster and could make great strides flutistically and musically in a shorter amount of time.

My biggest philosophical influence on flute performing and teaching occurred in about 1980 when I took a flute lesson from Robert Aitken, the great Canadian flute virtuoso. His manner of teaching was something I had not heard from the dozen or so other gifted flutists with whom I had studied. His teachings, along with my interpretations of his teaching, became the basis for my doctoral essay, "A Description and Application of Robert Aitken's Concept of the Physical Flute."

The basis of Aitken's concept's and my flute teaching and performing is very vocal in nature. Resonance is produced through proper support and breathing and through optimal placement of the components of the vocal tract. The body is set for optimal resonance on the low notes so that the upper partials can be obtained solely through the most minimal of lip movements. In this way, the flutist can produce a full, resonant sound with great facility.

I have had great success with my students utilizing this method of teaching. Beginniners of all ages start sounding good from day one of flute lessons. Many of my students have gone on to study music in college and have received scholarships to do so.. I also have several adult students, beginnering through advanced, who are a constant joy to teach as they continue to develop musically.


Rates And Availability

I teach at the student's location. My fee is a very reasonable $50/hr. There may be a mileage surcharge for longer distances. I have taught students from Boynton Beach to Homestead.

I delight in teaching students who wish to improve quickly while learning - or relearning - the fundamenatls skills of flute playing. Many of my most loyal students are adults who are returning to the flute after years of "life." Ambitious younger students have sought me out when it became apparent that they were at at impass flutistically and musically with their current teachers. And, of course, I enjoy starting beginning students off correctly so that they will not have to continuallly fix fundamental physical mistakes in the future.

Robert D. Billington Performance and Teaching Repertoire

Click here for printable .pdf version.

If your local sheet music store does not have these selections,
they are available from Flute World.
http://www.fluteworld.com.
248-855-0410

Daily Exercises

Composer

Title

Publisher

Marquarre Daily Exercises Schirmer
Moyse, Marcel Daily Exercises Leduc
De la Sonorite Leduc
Low Tones, Slurs , Mechanism Leduc
Taffanel-Gaubert Daily Exercises Leduc
Wye Complete Daily Exercises Novello

Etudes

Anderson 24 Etudes, .op 15 (L. Moyse) Schirmer
24 Etudes, op. 30 (Peck) Progress Press
24 Etudes, op. 33 (Peck) Progress Press
24 Etudes, op. 60 Southern
Bach, J. S. 24 Flute Concert Studies (Mols) Southern
Berbiguier 18 Studies Schirmer
Bozza 14 Studies - Arabesques Schirmer
Briccialdi 6 Grand Studies, op. 31 Ricordi
Dick The Other Flute, vol. 1 Robert Dick Pub.
Hughes 40 New Studies for Flute Ricordi
Jeanjean Etudes Modernes Leduc
Karg-Elert 30 Caprices Cundy Bettoney
Kohler Romantic Etudes Southern
Moyse Tone Development through Interpretation McGuiness and Marx

Orchestral Excerpts

Bach, J. S. The Flute Solos (Baker) Schirmer
Baxtresser Orchestral Excerpts for Flute Theodore Presser
Clarke Orchestral Extracts Trinity College
Krell 20th Century Orchestral Studies Schirmer
Smith Orchestral Studies, vol. I & II Schirmer
Wellbaum Orchestral Extracts for Piccolo Theodore Presser

Concerti

Doppler Fantasie Pastorale Hongroise Boosey & Hawkes
Foote A Night Piece Southern
Griffes Poem Schirmer
Hanson Serenade Carl Fischer
Ibert Concerto Leduc
Kennan Night Soliloquy Carl Fischer
Martin Ballade Universal
Mozart Andante in C, K. 315 Henle
Concerto in C, flute and harp, K. 299 Henle
Concerto in D, K. 314 Henle
Concerto in G, K. 315 Henle
Nielsen Concerto Samfundet
Reinecke Concerto Breitkopf
Stamitz Concerto in G, op. 29 International

Flute Alone

Bach, C. P. E. Sonata in a minor Ricordi
Bach, J. S. Partita in a minor Bahrenreiter
Berio Sequenza ESZ
Boismortier Six Suites, op. 35 Schott
Bozza Image Leduc
Dahl Variations on a Swedish Folktune Theodore Presser
Debussy Syrinx Henle
Ferroud Trois Pieces Salabert
Flothuis Aubade Broekman
Fukushima Mei ESZ
Shun-san Muramatsu
Genzmer Sonata Peters
Hindemith Acht Stucke Schott
Honegger Danse de la Chevre Salabert
Hoover Kokopeli Papagena Press
Winter Spirits Papagena Press
Hovhaness Sonata, op. 118 Peters
Ibert Piece Leduc
Jolivet Cinq Incantations Boosey and Hawkes
Karg-Elert Sonata (Appassionata), op. 140 Zimmermann
Koechlin Les Chants de Nectaire Billaudot
Kuhlau 3 Fantasias Universal
Marais Les Folies d'Espagne Barenreiter
Moyse, L. Hommage a Krishna Schirmer
Pastorale Costallat
Peruzzi Tessiture ESZ
Reynolds Ambages Peters
Stamitz 8 Capricen Peters
Telemann 12 Fantasias Barenreiter
Tomasi Les Cyclads Leduc
Sonatina Leduc
Varese Density 21.5 Kerby

Flute and Keyboard

Bach, C.P.E. Sonata in G (Hamburg), Wq. 133 Schott
Bach, J.S. 4 Sonatas, e, E, b, a (Urtext) Bahrenreiter
3 Sonatas, C, Eb, g (Urtext) Bahrenreiter
Boehm Var. on Nel Cor Piu, op. 4 Billaudot
Bartok (Arma) Suite Paysanne Hongroise Boosey & Hawkes
Bloch Suite Modale Broude
Chopin Variations on a Theme by Rossini PWM
Copland Duo Boosey & Hawkes
Demersseman Sixieme Solo de Concert Leduc
Dutilleux Sonatine Leduc
Fukushima Three Pieces from "Chu-u" Peters
Genzmer Sonata no. 2 Schott
Handel 11 Sonatas (Urtext) Bahrenreiter
Haydn Sonata in G Peters
Hindemith Sonata Schott
Hue Fantasie Billaudot
Hummel Sonata in D, op. 50 Doblinger
Ibert Jeux, Sonatine Leduc
Karg-Elert Suite Pointillistique, op. 135 Zimmermann
Kuhlau Variations sur le Romance d'Euryanthe Bahrenreiter
Martinu First Sonata AMP
Messiaen Le Merle Noir Leduc
Milhaud Sonatine Durand
Muczynski Sonata Schirmer
Pierne Sonata Durand
Platti Sonata, op. 3, no. 6 Schott
Poulenc Sonata Chester
Prokofiev Sonata MCA
Reinecke Sonata "Undine" International
Schubert Introduction and Variations, op. 160 Bahrenreiter
Schumann Three Romances International
Telemann 12 Methodical Sonatas Bahrenreiter
Vivaldi 6 Sonatas, "Il Pastor Fido," op. 13 Bahrenreiter

Flute and Keyboard Collections

Cavally 24 Short Concert Pieces Southern
Moyse, L. Flute Music by French Composers Schirmer
Flute Music of the Baroque Schirmer
The Golden Age of the Flutists, vol. I-II Zen-on
Moyse, M.
Solos for Flute Fischer
Peck



FBA Information

2007-2008 FBA All-State Band Audition Information

Here are links to the audition requirements for flute and piccolo for

Grades 7-8,

Piccolo - Chromatic scale for 2 octaves - Eb-Eb
Rubank Advanced Method (flute) - vol. 1
Exercise: pg. 51 #14, all, dotted quarter=60.
All Piccolo students MUST also audition on Flute. Their Flute audition will
determine membership in the band and the Piccolo double will be determined by the
Piccolo audition. The Piccolo audition will contain the chromatic scale and the
above exercise – no other scales and no sight-reading.

plus

MS Flute Scales
Flute - Middle School Flute Chromatic Scale must be three octaves - C-C
Rubank Advanced Method (flute) - vol. 1
Lyrical Exercise: pg. 28 #9, all, top line, no repeats, quarter=70.
Technical Exercise: pg. 56 #29, all, quarter=100.

Grades 9-10,

Piccolo - Chromatic scale for 2 1/2 octaves - Eb-Bb
Exercise: pg. 32 #11, all, top line, quarter=76.
NEW! Rubank Advanced Method Volume II

plus

HS Flute Scales
Flute - NEW! - Rubank Advanced Method Volume II
Lyrical Exercise: pg. 31 #10, all, top line, no repeats, quarter=66.
Technical Exercise: pg. 37 #17, all, top line, no repeats, dotted quarter=100.
.

Grades 11-12.

Piccolo - Chromatic scale for 2 1/2 octaves - Eb-Bb
Cavally - Melodious and Progressive Studies, vol. 1
Exercise: pg. 27 #9, meas. 1-34 plus one note.

plus

HS Flute Scales
NEW! Rubank Advanced Method Volume I
Lyrical Exercise: pg. 67, The Swan.
Flute - Cavally - Melodious and Progressive Studies, vol. 1
Technical Exercise: pg. 29 #11, meas. 1-35 plus one note.
Student will determine tempi.

Free Downloads!! The required scales for Middle School and High School flute auditions.

2003 FBA Solo and Ensemble Music List

"The following directions and exceptions accompany the
FBA Solo and Ensembles Music List:

Piccolo: Piccolos may select music from the flute list.
Keep in mind the selection will also be evaluated on its suitability."


Florida Bandmasters Association Home Page

National Flute Association

Florida Flute Association

Larry Krantz Flute Pages

Jennifer Cluff's Flute Pages

Sir James Galway Flute Network

John Billington Music


Contact Dr. Billington

Copyright 2004-2010 by Robert D. Billington